Hussein M. Adam, Elizabeth Bell, Robert D. Bullard, Robert Melchior Figueroa, Clarice E. Gaylord, Segun Gbadegesin, R J. A. Goodland, Howard McCurdy, Charles Mills, Dr. Kristin Shrader-Frechette, Peter S. Wenz, Daniel C. Wigley Edited by
Laura Westra, Bill Lawson
Elizabeth Boa, Gail K. Hart, Robert C. Holub, Patricia Howe, Ann Jefferson, Rosemary Lloyd, Jann Matlock, Professor Mary Orr, Ricarda Schmidt, Naomi Segal, Professor Lesley Sharpe, Judith Still Edited by
Professor Mary Orr, Professor Lesley Sharpe
From Goethe to Gide brings together twelve essays on canonical male writers commissioned from leading specialists from Britain and North America. These essays, aimed at final year undergraduates and postgraduates, focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, Gide.
Ethel Brooks, Pauline Cullen, Bob Edwards, Daniel Faber, John W. Foster, Arunas Juska, Laura Macdonald, Gay W. Seidman, Charles Tilly, Peter Waterman, Lesley J. Wood Edited by
Joe Bandy, Jackie Smith
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.
Since The Théâtre du Grand-Guignol closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance.
Maureen McHugh Contributions by
Alisha Ali, Louise Armstrong, Dana Becker, Heather E. Bullock, Emily Julia Caplan, Emily Cohen, Vincent Fish, Nikki Gerrard, Pamela Gibson, Nayyar Javed, Meadow Linder, William R. Metcalfe, Jeffrey Poland, Wesley Profit, Judith Ruskay Rabinor, Bethany Riddle, Rachel Josefowitz Siegel Edited by
Paula J. Caplan, Lisa Cosgrove