Roger Frie, Bruce Ries, M Guy Thompson, Jon Frederickson, Peter L. Giovacchini, Philip Giovacchini, Frank Summers, Timothy J. Zeddies, David L. Downing, Marilyn Nissim-Sabat, Robert Langs, Gershon J. Molad, Judith E. Vida, Jon Mills, Robert S. Wallerstein Edited by
Nicholas Rescher, Richard Shusterman, Linda Martín Alcoff, Lorraine Code, Sandra Harding, Bat-Ami Bar On, John Lachs, John J. Stuhr, Douglas Kellner, Thomas E. Wartenberg, Paul C. Taylor, Nancey Murphy, Charles W. Mills, Nancy Tuana, Joseph Margolis Edited by
This is the first new book-length study of British cinema of the 1910s to be published for over fifty years, and it focuses on the close relationship between the British film industry and the Edwardian theatre.
This compact book reproduces fifty-two memorials in Latin taken from churches situated largely in the West Country. Each memorial is accompanied by a translation and by notes on the grammar. The book is aimed at all who would like to be able to read Latin epitaphs in churches, and whose knowledge of the language may be sketchy.
In this study of early film exhibition, Joe Kember demonstrates that prior to the emergence of a specific discipline of screen acting and the arrival of picture personalities, the early cinema inherited its human dimensions from diverse earlier traditions of performance, from the magic lantern lecture to the fairground and variety theatre.