Wayne P. Steger, Andrew Dowdle, Randall E. Adkins, Anthony Corrado, Andrew E. Busch, Michael Dukakis, Michael Cornfield, Stephen J. Farnsworth, S. Robert Lichter, Alan Silverleib Edited by
William G. Mayer, Jonathan Bernstein
Antony Black, Brett Bowden, Bruce Buchan, Joseph Chan, Fred Dallmayr, Nelly Lahoud, Cary J. Nederman, Philip Nel, Makarand Parajape, Anthony Parel, Vicki A. Spencer, Alistair Swale, Peter Zarrow Edited by
Takashi Shogimen, Cary J. Nederman
Since The Théâtre du Grand-Guignol closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance.
Douglas Allen, Judith M. Brown, Richard Falk, Michael Nagler, Makarand Paranjape, Glenn Paige, Bhikhu Parekh, Anthony J. Parel, Lloyd I. Rudolph, Michael Sonnleitner, Ronald J. Terchek Edited by
Richard L. Johnson
J. R. Andrews, K. Atkinson, C.M. Bristow, Roger Burt, R. A. Cullingford, E.M. Durrance, R. P. Edwards, P. Granger, M. B. Hart, M. J. Heath, K. P. Issac, F. W. A. A. Lucas, D. A. C. Manning, D. Robinson, R. C. Scrivener, E.B. Selwood, R. K. Shail, T. J. Shepherd, J. M. Thomas, J. Willis-Richards Edited by
E.B. Selwood, E.M. Durrance, C.M. Bristow
The geology of Cornwall has been the subject of continuing investigation since the end of the seventeenth century. A literature of great historical interest exists, and this is analysed in this book alongside a wide-ranging review of the current position and assessments of the environmental consequences of rock and mineral exploitation.
Ian Smith, Justin Goodman, Raj Ramanathapillai, Shalin Gala, John Sorenson, Bill Hamilton, Ana Morron, Julie Andrzejewski, Elliot M. Katz, Colman McCarthy Edited by
Anthony J. Nocella II, Colin Salter, Judy K. C. Bentley
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.