Medievalisms in a Global Age
Contributions by Matthias D Berger, Anna Czarnowus, Maxime Danesin, Dr Andrew B R Elliott, Joseph Osei-Bonsu, Anne Giblin Gedacht, Luiz Felipe Anchieta Guerra, Miranda Lynn Hajduk, Manuel Hernández-Pérez, Professor Daniel T Kline, Kara L McShane, Stefanie Lydia Matabang, Meriem Pages, Marian E Polhill, Emily Price, Carol L Robinson, Professor Robert Squillace, Minjie Su, Sara V Torres, Rachael K Warmington, Professor Angela Jane Weisl, Elizabeth Allyn Woock Edited by Professor Angela Jane Weisl, Professor Robert Squillace
Publication date:
09 July 2024Length of book:
256 pagesPublisher
D.S.BrewerDimensions:
234x156mmISBN-13: 9781805433545
Discusses contemporary medievalism in studies ranging from Brazil to West Africa, from Manila to New York.
Across the world, revivals of medieval practices, images, and tales flourish as never before. The essays collected here, informed by approaches from Global Studies and the critical discourse on the concept of a "Global Middle Ages", explore the many facets of contemporary medievalism: post-colonial responses to the enforced dissemination of Western medievalisms, attempts to retrieve pre-modern cultural traditions that were interrupted by colonialism, the tentative forging of a global "medieval" imaginary from the world's repository of magical tales and figures, and the deployment across borders of medieval imagery for political purposes. The volume is divided into two sections, dealing with "Local Spaces" and "Global Geographies". The contributions in the first consider a variety of medievalisms tied to particular places across a broad geography, but as part of a larger transnational medievalist dynamic. Those in the second focus on explicitly globalist medievalist phenomena whether concerning the projection of a particular medievalist trope across borders or the integration of "medieval" pasts from different parts of the globe in a contemporary incarnation of medievalism. A wide range of topics are addressed, from Japanese manga and Arthurian tales to The O-Trilogy of Maurice Gee, Camus, and Dungeons and Dragons.
Across the world, revivals of medieval practices, images, and tales flourish as never before. The essays collected here, informed by approaches from Global Studies and the critical discourse on the concept of a "Global Middle Ages", explore the many facets of contemporary medievalism: post-colonial responses to the enforced dissemination of Western medievalisms, attempts to retrieve pre-modern cultural traditions that were interrupted by colonialism, the tentative forging of a global "medieval" imaginary from the world's repository of magical tales and figures, and the deployment across borders of medieval imagery for political purposes. The volume is divided into two sections, dealing with "Local Spaces" and "Global Geographies". The contributions in the first consider a variety of medievalisms tied to particular places across a broad geography, but as part of a larger transnational medievalist dynamic. Those in the second focus on explicitly globalist medievalist phenomena whether concerning the projection of a particular medievalist trope across borders or the integration of "medieval" pasts from different parts of the globe in a contemporary incarnation of medievalism. A wide range of topics are addressed, from Japanese manga and Arthurian tales to The O-Trilogy of Maurice Gee, Camus, and Dungeons and Dragons.