Studies in Medievalism XXXIV
Tribal Medievalisms
Contributions by Alexandra Sterling-Hellenbrand, Ann Howey, Anna Steppler, Christopher Queen, Dana Polanichka, Emma Nuding, James Burns, Kalina Janeva, Kevin J Harty, Ryan Hellenbrand, Scott Manning, Sylwia Borowska-Szerszun Edited by Karl Fugelso
Publication date:
11 March 2025Length of book:
256 pagesPublisher
D.S.BrewerDimensions:
234x156mmISBN-13: 9781805435631
The themes of tribalism and medievalism unite this wide-ranging collection of essays.
Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.
Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.