Imagining Gender, Nation and Consumerism in Magazines of the 1920s

By (author) Rachael Alexander

Publication date:

02 November 2021

Publisher

Anthem Press

Dimensions:

229x153mm
6x9"

ISBN-13: 9781785273476

Offering the first comparative study of 1920s’ US and Canadian print cultures, ‘Imagining Gender, Nation and Consumerism in Magazines of the 1920s’ comparatively examines the highly influential ‘Ladies’ Home Journal’ (1883–2014) and the often-overlooked ‘Canadian Home Journal’ (1905–1958). Firmly grounded in the latest advances in periodical studies, the book provides a timely contribution to the field in its presentation of a transferrable transnational approach to the study of magazines. While Canadian magazines have often been viewed, unflatteringly and inaccurately, as merely derivative of their American counterparts, Rachel Alexander asserts the value of an even-handed consideration of both. Such an approach acknowledges the complexity of these magazines as collaborative texts, cultural artefacts and commercial products, revealing that while these magazines shared certain commonalities, they functioned in differing – at times unexpected – ways. During the 1920s, both magazines were changing rapidly in response to technological modernity, altering gender economies and the burgeoning of consumer culture. ‘Imagining Gender, Nation, and Consumerism in Magazines of the 1920s’ explores the influences, tensions and interests that informed the magazines’ construction of their audience of middle-class women as readers, consumers and citizens.

Alexander’s thorough and detailed book is a welcome addition to North American periodical and print culture studies, offering a comparative reading of the Ladies’ Home Journal and the Canadian Home Journal through their divergent histories of production and consumption through the 1920s. Alexander shows that a “woman’s” magazine is far from the homogenous item that term implies and that closer study affords a more nuanced reading of the collaborative networks and cultural impulses behind the mass market magazine. Alexander’s work is a model of interdisciplinarity, successfully employing literary, consumer, popular, print, feminist and North American studies to re-read the significance and creative contexts of these popular magazines. — Sue Currell, Reader in American Literature, School of English, University of Sussex, UK