Gothic Britain

Acknowledgements Notes on Contributors Introduction: William Hughes, ‘The Uncanny Space of Regionality: Gothic Beyond the Metropolis’ Part One: Re-imagined Gothic Landscapes: Folklore, Nostalgia and History Chapter One: Catherine Spooner, ‘“Dark, and cold, and rugged is the North”: Regionalism, Folklore and Elizabeth Gaskell’s “Northern” Gothic’ Chapter Two: Chloe Buckley, ‘Jeremy Dyson’s The Haunted Book (2012), the Gothic Child and the West Yorkshire Moors’ Chapter Three: Richard Storer, ‘“Spook Business”: Hall Caine and the Moment of Manx Gothic’ Chapter Four: Gioia Angelletti, ‘“All those ancient stories that had their dark souls located in woods”: Rural Gothic, Scottish Folklore and Postmodern Conundrums in James Robertson’s The Testament of Gideon Mack’ Part Two: Unnatural Gothic Spaces Chapter Five: Timothy Jones, ‘Entering the Darkness: Robert Aickman and the Regions’ Chapter Six: Minna Vuohelainen, ‘University Gothic 1880-1910’ Chapter Seven: Holly-Gale Millette, ‘Vampiristic Museums and Library Gothic’ Part Three: Border Crossings and the Threat of Invasion Chapter Eight: Jamil Mustafa, ‘Lifting the Veil: Allegory, Ambivalence and the (Scottish) Gothic in Walter Scott’s Union Fiction’ Chapter Nine: Ben Richardson, ‘Cosmopolis Fever: Regionalism and Immunity in Mary Shelley’s The Last Man (1826)’ Chaper Ten: Ruth Heholt, ‘The Hammer House of Cornish Horror: The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile’ Chapter Eleven: Sara Ilott, ‘Black Immigrant/White Cliffs: Dover Gothic and the Borders of Britishness’ Bibliography Index