Cecil Hepworth and the Rise of the British Film Industry 1899-1911

By (author) Simon Brown

Publication date:

27 February 2016

Publisher

University of Exeter Press

Dimensions:

234x156mm
6x9"

ISBN-13: 9780859898904

This book offers an industrial, economic and aesthetic history of the early years of the British film industry from 1899–1911, through a case study of one of the most celebrated pioneer film makers, Cecil Hepworth.
Presenting a picture of daily life in his film studio, an analysis of Hepworth’s films is offered including the development of their content, production methods and marketing in this formative period.
The early twentieth century saw British film production develop from a cottage industry of artisans to a multi-modal complex economic system with a global reach. Changes in the nature of exhibition and distribution caused a major crisis in the years 1908–1911, whereby Britain lost its status as a world leader in film making. Existing histories of this period lay this crisis at the feet of pioneers like Hepworth, whose perceived inability to improve the quality of film production led to stagnation.
Brown attempts to challenge this assumption by analysing Hepworth’s development of production methods as well as his strategies towards sales in the market to demonstrate the impact on the modernisation of the film industry.

Introduction
List of Illustrations and Tables
Film Production and the Hepworth Manufacturing Company Ltd (HMC)
Hepworth, Film Sales and the Rise of the Renter
The HMC, the Rental Sector and Market Strategies
HMC and Patterns of Exhibition
Conclusion: The Producers’ Response to the Crisis
Appendix One: Filmography of Hepworth and Co and the HMC 1899–1911
Appendix Two: HMC Titles Listed in ‘Around the Shows’ Released 1 October 1908–31 August 1909
Appendix Three: List of London Based Rental Firms (1905–1911) and Foreign Film Sales Representatives (1907–1911)
Bibliography
Index

‘Rich with historical context, Brown’s book builds on the foundations laid down by the likes of John Barnes and Rachel Low, and more recent elucidations by scholars such as Luke McKernan (whose recent book, also published in the consistently excellent Exeter Studies in Film History series, did for Charles Urban and co. what Browns does here for Hepworth).
‘From the very first page it offers a vital addendum to our knowledge of the early years of British cinema.
‘Brown not only enhances our understanding of this particular film-maker, but of British film history more generally.’Stephen Morgan,
Historical Journal of Film, Radio and Television March 2017

‘… painstaking scholarship… a book that significantly revises our understanding of one national production context’
Joe Kember, viewfinder, No 104 September 2016

‘Lucid and well-informed, the argument posed is a stimulating one. I, for one, look forward to reading it.’ (Professor Stephen Neale, University of Exeter)

‘Well-written and original, it opens up the subject in a thoroughly new way. This will be an important book.’ (Professor Richard Maltby, Flinders University)