Literature among the Ruins, 19451955

Postwar Japanese Literary Criticism

Contributions by Michael K. Bourdaghs, James Dorsey, Ko Youngran, Seiji M. Lippit, Richi Sakakibara, Ann Sherif, Doug Slaymaker, Hirokazu Toeda, Atsuko Ueda Edited by Atsuko Ueda, Michael K. Bourdaghs, Richi Sakakibara, Hirokazu Toeda

Not available to order

Publication date:

07 May 2018

Length of book:

202 pages

Publisher

Lexington Books

ISBN-13: 9780739180747

In the wake of the disaster of 1945—as Japan was forced to remake itself from “empire” to “nation” in the face of an uncertain global situation—literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of such ongoing questions as the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of “literature” and “politics,” and the origins of what would become crucial ideological weapons of the cultural Cold War.

The volume consists of three interrelated sections: “Foregrounding the Cold War,” “Structures of Concealment: ‘Cultural Anxieties,’” and “Continuity and Discontinuity: Subjective Rupture and Dislocation.” One way or another, the essays address the process through which new “Japan” was created in the postwar present, which signified an attempt to criticize and reevaluate the past. Examining postwar discourse from various angles, the essays highlight the manner in which anxieties of the future were projected onto the construction of the past, which manifest in varying disavowals and structures of concealment.
Literature among the Ruins, 1945–1955 takes up the most vital debates of Japan's immediate postwar period, an era of great hardship that saw profound reflections on literature’s relationship to individual political agency. This collection of critical essays—drawn from leading scholars in both the United States and Japan—illuminates what was at stake then and what remains relevant today. It is essential reading for anyone interested in the relationship between culture and power in the twentieth century.