Queer Images

A History of Gay and Lesbian Film in America

By (author) Harry M. Benshoff, Sean Griffin

Not available to order

Publication date:

13 October 2005

Length of book:

336 pages

Publisher

Rowman & Littlefield Publishers

ISBN-13: 9780742519718

From Thomas Edison's first cinematic experiments to contemporary Hollywood blockbusters, Queer Images chronicles the representation of lesbian, gay, bisexual, and queer sexualities over one hundred years of American film. The most up-to-date and comprehensive book of its kind, it explores not only the ever-changing images of queer characters onscreen, but also the work of queer filmmakers and the cultural histories of queer audiences. Queer Images surveys a wide variety of films, individuals, and subcultures, including the work of discreetly homosexual filmmakers during Hollywood's Golden Age; classical Hollywood's (failed) attempt to purge 'sex perversion' from films; the development of gay male camp in Hollywood cinema; queer exploitation films and gay physique films; the queerness of 1960s Underground Film practice; independent lesbian documentaries and experimental films; cinematic responses to the AIDS crisis; the rise and impact of New Queer Cinema; the growth of LGBT film festivals; and how contemporary Hollywood deals with queer issues. This entertaining and insightful book reveals how the meaning of sexual identity—as reflected on the silver screen—has changed a great deal over the decades, and it celebrates both the pioneers and contemporary practitioners of queer film in America. Queer Images is an essential volume for film buffs and anyone interested in sexuality and culture.
Mssrs. Benshoff and Griffin ably guide the avid reader through this by-now vast yet still under exposed field of entertainment and concern. For better or usually worse, motion pictures and the visual media are overly influential in defining who and what non-heterosexual people are. Understandably, a minority that mostly fails to identify and define itself will be 'explained' and misrepresented by others, especially its cross ill-wishers. Benshoff and Griffin point out, entertainingly and urgently, the false either-or 'thinking' that informs American attitudes toward sexuality and gender in real life and reel life—crucially so, for the huge chunk of citizens who believe they have never met 'a homosexual.' Gay-, lesbian-, and bi-themed films and characters are undeniably engaging—and often upsetting—but as this fun and riveting book makes clear, it's one thing to preach 'liberty and justice for all,' and another to practice it—on screen or in life.