Billy Joel

America's Piano Man

By (author) Joshua S. Duchan

Paperback - £25.00

Publication date:

15 August 2018

Length of book:

216 pages

Publisher

Rowman & Littlefield Publishers

ISBN-13: 9781538114568

Despite his tremendous success, Billy Joel’s gifts as a composer and commentator on American life are long overdue for a thorough investigation. In Billy Joel: America’s Piano Man, music historian Joshua S. Duchan looks at the career and music of this remarkable singer-songwriter, exploring the unique ways Joel channels and transforms the cultural life of a changing America over four decades into bestselling song after song and album after album.

Billy Joel has not always enjoyed the acclaim of music critics, who have characterized his music as inauthentic and lacking a uniqueness of style. Duchan corrects this misunderstanding by exploring the depth and degree to which Joel’s songs engage with social, cultural, political, and economic issues. Organized by major themes and including original interviews with Joel himself, Duchan’s book delves into Joel’s endeavors as a musician, lyricist, and commentator on questions of geography and regionalism, politics, working- and middle-class culture, human relationships, and the history of music itself. Duchan draws on key songs from Joel’s career to explore each theme, from his folk-like lament for Long Island’s changing industry and lifestyle in “The Downeaster ‘Alexa’” to his emotional ode to Vietnam veterans in “Goodnight Saigon.”

Original interviews with Billy Joel blend with Duchan’s engaging analysis to provide readers of all backgrounds and ages a new look at these unforgettable songs. Music lovers and historians of both the academic and armchair variety will find this exploration of Joel’s work a rewarding adventure into America’s social, cultural, political, economic, and—above all—musical history.
Musicologist Duchan presents an informative and entertaining look at the work of pop superstar Billy Joel, positioning his songs in the canon of 20th-century pop music. Despite Joel’s multiplatinum album sales, countless hit songs, and a performing career as long—and a fan base as loyal—as that of Bruce Springsteen, he has never been a favorite with critics. Duchan makes a powerful argument for the complexity in Joel’s work by keeping the spotlight on the music, tracing how 'Joel’s music kept alive an emphasis on well-crafted melody and harmony' rooted in Tin Pan Alley traditions while incorporating rock, jazz, and doo-wop with lyrics that addressed his listeners through contemporary themes. For example, Duchan carefully shows how an 'unabashedly sentimental' song such as 'New York State of Mind' shares many of the features of the Tin Pan Alley genre (the song similarly 'includes four verses that roughly fit the ABAC pattern and finish with title lyrics'). Duchan argues that 'Joel sings as, for, and about hard-working people whose circumstances are worsening and who have little control over the forces that affect their lives.' He successfully argues for Joel’s music relevance.