Historical Dictionary of Baroque Art and Architecture
By (author) Lilian H. Zirpolo
Publication date:
13 March 2018Length of book:
692 pagesPublisher
Rowman & Littlefield PublishersISBN-13: 9781538111284
The baroque period deals with the art created roughly between the end of the 16th and the early years of the 18th centuries. The masters of the era include Caravaggio, Gianlorenzo Bernini, Rembrandt, Vermeer, Diego Velazquez, and Nicolas Poussin. The Historical Dictionary of Baroque Art and Architecture, Second Edition covers the most salient works of baroque artists, the most common themes depicted, historical events and key figures responsible for shaping the artistic vocabulary of the era, and definitions of terms pertaining to the topic at hand.
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events. This book is an excellent resource for students, researchers, and anyone wanting to know more about Baroque art.
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events. This book is an excellent resource for students, researchers, and anyone wanting to know more about Baroque art.
Part of the Historical Dictionaries of Literature and the Arts series from Rowman & Littlefield, this second edition (see ARBA 2011, entry 862) on baroque art and architecture includes eighty-five new entries. It is intended as a reference tool for college professors, art history students, and those interested in baroque art. Each entry focuses on a topic, place, work, or artist, and provides a succinct description which includes bolded cross-references to other entries. The chronology of this period, provided at the front of the volume, goes from 1580 to 1718. The impressive bibliography is divided into twelve sections, providing resources by country (Italy, France, Flanders, Holland, Spain and Portugal, England, Germany, and other countries) as well as topic (treatises, artist biographies, emblem books, academies, art training, artistic identity, and art patronage and collecting). This book would be an excellent addition to any college and university reference shelf.—Bradford Lee Eden