Interiors and Narrative

The Spatial Poetics of Machado de Assis, Eça de Queirós, and Leopoldo Alas

By (author) Estela Vieira

Publication date:

14 December 2012

Length of book:

261 pages

Publisher

Bucknell University Press

Dimensions:

238x162mm
6x9"

ISBN-13: 9781611484328

Interiors and Narrative shows how crucial interiors are for our understanding of the nature of narrative. A growing cultural fascination with interior dwelling so prevalent in the late nineteenth century parallels an intensification of the rhetorical function interior architecture plays in the development of fiction. The existential dimension of dwelling becomes so intimately tied to the novelistic project that fiction surfaces as a way of inhabiting the world. This study illustrates this through a comparative reading of three realist masterpieces of the Luso-Hispanic nineteenth century: Machado de Assis’s Quincas Borba (1891), Eça de Queirós’s The Maias (1888), and Leopoldo Alas’s La Regenta (1884–1885). The first full-length study to juxtapose the renowned writers, Interiors and Narrative analyzes the authors’ spatial poetics while offering new readings of their work. The book explores the important links between interiors and narrative by explaining how rooms, furnishings, and homes function as metaphors for the writing of the narrative, reflecting on the complex relation between private dwellings and human interiority, and arguing that the interior design of rooms becomes a language that gives furnishings and decorative objects a narrative life of their own. The story of homes and furnishings in these narratives creates a semiotic language that both readers and characters rely on in order to make sense of fiction and reality.




This study by Estela Vieira is therefore particularly welcome in its attempt to bring together three of the major exponents of the novel in Portugal, Spain and Brazil. . . .[I]t is hard to dispute the convincing attention to detail dedicated by the author to the understanding of internal space and its significance within the three texts studied here. . . .[T]he author’s demonstration of the exploration of inner space (both domestic and personal) by these three major writers who (in different respects) look forward to literary Modernism as much as they look back to the Realist tradition is a well-researched and original contribution to the understanding of their work.