The Jew's Daughter

A Cultural History of a Conversion Narrative

By (author) Efraim Sicher Contributions by Noa Sophie Kohler

Publication date:

04 May 2017

Length of book:

322 pages

Publisher

Lexington Books

Dimensions:

240x158mm
6x9"

ISBN-13: 9781498527781

A new approach to thinking about the representation of the Other in Western society, The Jew’s Daughter: A Cultural History of a Conversion Narrative offers an insight into the gendered difference of the Jew. Focusing on a popular narrative of “The Jew’s Daughter,” which has been overlooked in conventional studies of European anti-Semitism, this innovative study looks at canonical and neglected texts which have constructed racialized and sexualized images that persist today in the media and popular culture. The book goes back before Shylock and Jessica in TheMerchant of Venice and Isaac and Rebecca in Ivanhoe to seek the answers to why the Jewish father is always wicked and ugly, while his daughter is invariably desirable and open to conversion. The story unfolds in fascinating transformations, reflecting changing ideological and social discourses about gender, sexuality, religion, and nation that expose shifting perceptions of inclusion and exclusion of the Other. Unlike previous studies of the theme of the Jewess in separate literatures, Sicher provides a comparative perspective on the transnational circulation of texts in the historical context of the perception of both Jews and women as marginal or outcasts in society. The book draws on examples from the arts, history, literature, folklore, and theology to draw a complex picture of the dynamics of Jewish-Christian relations in England, France, Germany, and Eastern Europe from 1100 to 2017. In addition, the responses of Jewish authors illustrate a dialogue that has not always led to mutual understanding. This ground-breaking work will provoke questions about the history and present state of prejudiced attitudes in our society.
Sicher makes the interesting choice of focusing on two related literary tropes: the “Jew” and the “Jew’s Daughter.” In this relationship as it is depicted in poetry, song, drama, art, architecture, and literature, Sicher presents a compelling argument for “how the narrative of the Jew and his daughter informs discourses about gender, sexuality, race, and nationhood in European societies from the eleventh to the twenty-first centuries” (2). He does this through a comparative, interdisciplinary analysis of various texts. This analysis is also informed by historical anecdotes.... Sicher’s text is an impressive presentation of research from many times and places that serves to support and illustrate his thesis well.