American Furniture

1650 to the Present

By (author) Oscar P. Fitzgerald

Hardback - £131.00

Publication date:

22 December 2017

Length of book:

664 pages

Publisher

Rowman & Littlefield Publishers

Dimensions:

286x228mm
9x11"

ISBN-13: 9781442270381

Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity.

With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.
This is a great improvement over earlier editions of Fitzgerald’s surveys—Four Centuries of American Furniture (1995) and Three Centuries of American Furniture (CH, Jun'82). Fitzgerald adds material on the 20th and 21st centuries and a final chapter on connoisseurship. He takes a chronological approach, moving from the early l7th century to the present with great detail. All the well-known pieces are here, plus many that will be less familiar. Fitzgerald considers both the exceptional and the ordinary, both high styles and country-rural forms. He explores styles, construction, materials, regional characteristics, forms and types, upholstery and fabrics, design origins, use and taste, trade, and technological innovations. Each section has comparisons with architecture; chapters have notes; and the bibliography of books, catalogues, theses, and articles is annotated. The visuals are extensive—some 800 in black and white and 48 in color. . . Lengthy explanatory captions are helpful. New terminology is used throughout except for style names (e.g., “Chippendale”), which are kept for familiarity. An outstanding achievement in American cultural studies with up-to-date research, collection of sources, and detailed scholarship, this indispensable reference is an important addition to the literature on American art and culture.



Summing Up: Highly recommended. All readers.