Conversations with the World's Leading Orchestra and Opera Librarians

By (author) Patrick Lo

Hardback - £92.00

Publication date:

07 June 2016

Length of book:

294 pages

Publisher

Rowman & Littlefield Publishers

Dimensions:

237x159mm
6x9"

ISBN-13: 9781442255425

This book is based on a series of informative interviews with a number of music librarians working for different leading symphony orchestras and opera companies throughout the world. In these interviews, librarians share with the readers what kind of professional skills, knowledge and personality that are required to supply music to the performers onstage, as well as information to these world-famous performing arts organizations.

Interviewees also discuss in details about their professional lives, i.e., including their personal stories and working relationships with various legendary conductors and star soloists, e.g., Claudio Abbado, Simon Rattle, James Levine, Donald Runnicles, Bernard Haitink, Zubin Mehta, Sir Colin Davis, etc. Via the interviewees’ stories, one can also get a glimpse of the different inside operations and the unique management styles behind the backstage of these internationally renowned performing arts organizations.

There are fourteen conversations including interviews with the Chief Librarian at the Metropolitan Opera and the Orchestra Librarians at the San Francisco Ballet, the Berlin Philharmonic, and Israel Philharmonic Orchestra.
Reading these informative and often fascinating interviews conducted by Lo with librarians employed by orchestras, opera and ballet companies, and individual singers located in the US, Europe, and Asia does much to dispel the notion that performance music librarians merely inventory scores and parts, distribute and collect them before and after rehearsals and performances, and mark conductors' performance indications. A librarian in charge of performance music must be especially flexible and versatile, since last-minute changes are often necessary. These specialist librarians must also order orchestral scores and parts (so thorough knowledge of different editions is obligatory), and occasionally they compose passages linking one section to the next and even provide transpositions of arias to different keys. Librarians may function in the background, but their contributions are essential for successful performances….

Summing Up:Highly recommended. Upper-level undergraduates through professionals/practitioners.