Heroines of Comic Books and Literature
Portrayals in Popular Culture
Contributions by Sandra J. Lindow, Tricia Clasen, Lauren Lemley, K. A. Laity College of Saint Rose, Adina Schneeweis, Christina M. Smith, Mauricio Espinoza, Itir Erhart, Hande Eslen-Ziya, Christopher Paul Wagenheim, Anita McDaniel, Sharon Zechowski, Caryn E. Neumann, Trina Robbins, April Jo Murphy, Nathan Miczo Western Illinois University, Roy Cook, Joseph J. Darowski Brigham Young University, T. Keith Edmunds, Fernando Gabriel Pagnoni Berns, Michael R. Kramer Edited by Maja Bajac-Carter, Norma Jones, Bob Batchelor
Publication date:
14 March 2014Length of book:
274 pagesPublisher
Rowman & Littlefield PublishersDimensions:
235x161mm6x9"
ISBN-13: 9781442231474
Despite the growing importance of heroines across literary culture—and sales figures that demonstrate both young adult and adult females are reading about heroines in droves, particularly in graphic novels, comic books, and YA literature—few scholarly collections have examined the complex relationships between the representations of heroines and the changing societal roles for both women and men.
In Heroines of Comic Books and Literature: Portrayals in Popular Culture, editors Maja Bajac-Carter, Norma Jones, and Bob Batchelor have selected essays by award-winning contributors that offer a variety of perspectives on the representations of heroines in today’s society. Focused on printed media, this collection looks at heroic women depicted in literature, graphic novels, manga, and comic books. Addressing heroines from such sources as the Marvel and DC comic universes, manga, and the Twilight novels, contributors go beyond the account of women as mothers, wives, warriors, goddesses, and damsels in distress.
These engaging and important essays situate heroines within culture, revealing them as tough and self-sufficient females who often break the bounds of gender expectations in places readers may not expect. Analyzing how women are and have been represented in print, this companion volume to Heroines of Film and Television will appeal to scholars of literature, rhetoric, and media as well as to broader audiences that are interested in portrayals of women in popular culture.
In Heroines of Comic Books and Literature: Portrayals in Popular Culture, editors Maja Bajac-Carter, Norma Jones, and Bob Batchelor have selected essays by award-winning contributors that offer a variety of perspectives on the representations of heroines in today’s society. Focused on printed media, this collection looks at heroic women depicted in literature, graphic novels, manga, and comic books. Addressing heroines from such sources as the Marvel and DC comic universes, manga, and the Twilight novels, contributors go beyond the account of women as mothers, wives, warriors, goddesses, and damsels in distress.
These engaging and important essays situate heroines within culture, revealing them as tough and self-sufficient females who often break the bounds of gender expectations in places readers may not expect. Analyzing how women are and have been represented in print, this companion volume to Heroines of Film and Television will appeal to scholars of literature, rhetoric, and media as well as to broader audiences that are interested in portrayals of women in popular culture.
The release of Heroines of Comic Books and Literature...could not have been timelier.... The well-organized thought processes throughout should prove to be refreshing to the comic book fan, even though it reveals some uneasy, though necessary truths, of these heroine portrayals.... Heroines of Comic Books and Literature boasts nineteen succinct chapters by a collection of authors who aptly command authority in their respective areas of expertise. A notable inclusion of comic artist, writer, and Will Eisner Hall of Fame inductee Trina Robbins adds panache to an already credible list of educators and scholars. The variety of case studies and methodologies will certainly satisfy those who want more from their popular culture analysis. Collections like this can potentially fall into the trap of stylistic inconsistency, but the editors may be credited for a book filled with direct, punchy writing that provokes the reader to want more from each chapter. This book is perhaps best described as an academic’s Jezebel — it approaches popular culture in a manner that welcomes discussions and is appropriately critical, well researched, even-tempered, and, is still, wildly passionate.