The Search for the Beautiful Woman
A Cultural History of Japanese and Chinese Beauty
By (author) Cho Kyo Translated by Kyoko Iriye Selden
Publication date:
12 October 2012Length of book:
302 pagesPublisher
Rowman & Littlefield PublishersDimensions:
235x161mm6x9"
ISBN-13: 9781442218932
While a slender body is a prerequisite for beauty today, plump women were considered ideal in Tang Dynasty China and Heian-period Japan. Starting around the Southern Song period in China, bound feet symbolized the attractiveness of women. But in Japan, shaved eyebrows and blackened teeth long were markers of loveliness.
For centuries, Japanese culture was profoundly shaped by China, but in complex ways that are only now becoming apparent. In this first full comparative history of the subject, Cho Kyo explores changing standards of feminine beauty in China and Japan over the past two millennia. Drawing on a rich array of literary and artistic sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in representations of beauty. Through fiction, poetry, art, advertisements, and photographs, the author vividly demonstrates how criteria of beauty differ greatly by era and culture and how aesthetic sense changed in the course of extended cultural transformations that were influenced by both China and the West.
For centuries, Japanese culture was profoundly shaped by China, but in complex ways that are only now becoming apparent. In this first full comparative history of the subject, Cho Kyo explores changing standards of feminine beauty in China and Japan over the past two millennia. Drawing on a rich array of literary and artistic sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in representations of beauty. Through fiction, poetry, art, advertisements, and photographs, the author vividly demonstrates how criteria of beauty differ greatly by era and culture and how aesthetic sense changed in the course of extended cultural transformations that were influenced by both China and the West.
In this ambitious volume Professor Cho, one of Japan's most knowledgeable scholars of comparative cultures, takes up the timeless topic of female beauty from the perspectives of China, Japan, and the West. At ease with a rich variety of literary and visual materials from all eras of Chinese and Japanese history, the author offers learned insights into classic tropes of East Asian female beauty and their encounter with Western aesthetics in modern times. Readers in many fields will find much to engage their imaginations here.