A Conductor's Guide to Selected Baroque Choral-Orchestral Works
By (author) Jonathan D. Green
Publication date:
05 December 2013Length of book:
284 pagesPublisher
Rowman & Littlefield PublishersDimensions:
230x149mm6x9"
ISBN-13: 9780810886490
In A Conductor’s Guide to Selected Baroque Choral-Orchestral Works, Jonathan D. Green's sixth book-length contribution of guides for conductors, he offers this companion to his critically acclaimed A Conductor’s Guide to the Choral-Orchestral Works of J. S. Bach. In this volume, Green addresses works of the Baroque era from Monteverdi through Bach's contemporaries.
In addition to brief biographical sketches for each composer, Green includes for each work the approximate duration, text sources, performing forces, currently available editions, locations of manuscript materials, notes, performance issues, evaluation of solo roles, evaluation of difficulty, and a discography and bibliography. Duration information comes from a variety of sources, but Green turns to actual recording times of performances. The purpose of this book is to aid conductors in selecting repertoire appropriate to their needs and the abilities of their ensembles. The discographies and bibliographies, while not exhaustive, serve as helpful starting points for further research.
A Conductor’s Guide to Selected Baroque Choral-Orchestral Works should appeal to conductors in supporting their concert programming. Librarians and music student will also find this work an ideal reference title for the study of Baroque repertoire.
In addition to brief biographical sketches for each composer, Green includes for each work the approximate duration, text sources, performing forces, currently available editions, locations of manuscript materials, notes, performance issues, evaluation of solo roles, evaluation of difficulty, and a discography and bibliography. Duration information comes from a variety of sources, but Green turns to actual recording times of performances. The purpose of this book is to aid conductors in selecting repertoire appropriate to their needs and the abilities of their ensembles. The discographies and bibliographies, while not exhaustive, serve as helpful starting points for further research.
A Conductor’s Guide to Selected Baroque Choral-Orchestral Works should appeal to conductors in supporting their concert programming. Librarians and music student will also find this work an ideal reference title for the study of Baroque repertoire.
This work, a companion to the author’s A Conductor’s Guide to the Choral-Orchestral Works of J. S. Bach, covers the music of the Baroque era from Monteverdi through many of Bach’s contemporaries. The arrangement is alphabetic by composer, subarranged by date of composition. The basic information on the compositions is also the same, listing title; date of composition; duration; source of text; detailed list of performing forces required; date, place, and principal performers of the premiere; editions currently available; location of the autograph score; historical notes; an extensive analysis of performance issues; a discography; and a selective bibliography of reviews and criticism. Performance difficulty is rated separately for choir and orchestra. Short composer biographies (including brief bibliographies) are provided. This is a useful guide for choral conductors and advanced music students.