Bob Dylan

American Troubadour

By (author) Donald Brown

Publication date:

21 January 2014

Length of book:

308 pages

Publisher

Rowman & Littlefield Publishers

Dimensions:

229x152mm
6x9"

ISBN-13: 9780810884205

With Bob Dylan’s receipt of the Nobel Prize in Literature, his iconic status as an American musical, cultural, and poetic giant has never been more apparent.Bob Dylan: American Troubadour is the first book to look at Dylan’s career, from his first album to his late masterpiece Tempest. Donald Brown provides insightful critical commentary on Dylan’s prolific body of work, placing Dylan’s career in the context of its time in order to assess the relationship of Dylan’s music to contemporary American culture.

Each chapter follows the shifting versions of Dylan, from his songs of conscientious social involvement to more personal exploratory songs; from his influential rock albums of the mid-1960s to his adaptations of country music; from his three very different tours in the 1970s to his “born again” period as a proselytizer for Christ and his frustrations as a recording and performing artist in the 1980s; from his retrospective importance in the 1990s to the refreshingly vital albums he has been producing in the twenty-first century.

Bob Dylan: American Troubadour will engage not only Dylan fans and students of his work but also those interested in American popular music, history, and culture. Anyone who has been touched, challenged, or surprised by a Dylan song will enjoy this concise and informed critical exploration of Dylan’s music and his place in the American musical landscape.
In recent years there has been a plethora of books on the enigmatic Mr. Dylan, but this entry in Rowman & Littlefield’s Tempo music series on rock, pop, and culture is a bit different as it explores Dylan’s music through the lens of social and cultural history. In nine fascinating chapters, Brown, a freelance writer and editor, follows Dylan chronologically through his career, from young troubadour in Greenwich Village who unwittingly became the spokesman of a generation through his controversial electric transformation to the “rural glory” of the Basement Tapes to his richly creative Blood on the Tracks period to his born-again phase to his current renaissance as a rock elder and cultural force. Brown’s discussion of individual songs and albums is particularly insightful. This concise examination of the Dylan corpus is especially good for younger generations who may want to better understand how a musician in his early seventies can still be so compelling and relevant in twenty-first-century America. A useful Dylan and cultural events timeline and an annotated discography round out the volume.