The Performing Life

A Singer's Guide to Survival

By (author) Sharon Mabry

Paperback - £43.00

Publication date:

07 August 2012

Length of book:

180 pages

Publisher

Scarecrow Press

Dimensions:

228x152mm
6x9"

ISBN-13: 9780810884083

The Performing Life: A Singer’s Guide to Survival is the first-hand account of the 35-year career of singer, music professor, and recording artist Sharon Mabry, who draws on personal experience to explore how professional singers survive in the face of personal and professional pressures, exorbitant expectations, illness, and the demands of their public. She details the factors that can change the course of a particular performance or an entire career. Mabry offers sage advice for how singers can bolster themselves mentally, physically, and emotionally in order to maintain their powers of performance.

Divided into two parts The Performing Life focuses first on such basics as the need for extensive preparation, discovering your performance niche, acquiring mentors, determining your “maintenance level,” finding a strong support system, learning how and what to organize, and discovering how to groom body and mind. In the second half, Mabry draws on her wealth of personal stories to dig more deeply into such seemingly mundane but absolutely critical matters as personal health (illness, food allergies, insomnia), logistical challenges presented by venue location and performance dynamics, and the difficulties off-stage organized by the recording studio. In all instances, Mabry illustrates how perseverance, organization, attention to detail, excellent training, strong planning, a resilient support system, and a good sense of humor can lead to a successful and satisfying career during even the most difficult times.
Here classical vocal soloist and educator Mabry (music, Peay State Univ.; Exploring Twentieth Century Vocal Music: A Practical Guide to Innovations in Performance and Repertoire) gives lessons gleaned from a lifetime of performing and teaching applicable not just to aspiring singers but also to anyone pursuing a career in the performing arts. With a breezy, easy-to-read style, she offers substantial advice on the training and maintenance of the vocal instrument, interacting with both the public and fellow singers, and—in a series of diary entries—maintaining professionalism despite malfunctioning equipment, inadequate venues, and every performer’s nightmare of forgetting the lyrics in the middle of a lengthy oratorio. Equally valuable is the career advice Mabry shares about making informed choices between a teaching or performing career (or, as she did, a blend of both) and finding genres and styles that will both inspire and showcase a particular artist’s talents. A very helpful bibliography at the book’s end features more sources of information on the topics she raises.
VERDICT An enjoyable and also thorough volume that deserves a place in any collection that caters to students of the performing arts.