Willie Dixon

Preacher of the Blues

By (author) Mitsutoshi Inaba

Paperback - £40.00

Publication date:

14 October 2014

Length of book:

502 pages

Publisher

Rowman & Littlefield Publishers

Dimensions:

225x156mm
6x9"

ISBN-13: 9781442245631

One of the greats of blues music, Willie Dixon was a recording artist whose abilities extended beyond that of bass player. A singer, songwriter, arranger, and producer, Dixon's work influenced countless artists across the music spectrum. In Willie Dixon: Preacher of the Blues, Mitsutoshi Inaba examines Dixon's career, from his earliest recordings with the Five Breezes through his major work with Chess Records and Cobra Records.

Focusing on Dixon's work on the Chicago blues from the 1940s to the early 1970s, this book details the development of Dixon's songwriting techniques from his early professional career to his mature period and compares the compositions he provided for different artists. This volume also explores Dixon's philosophy of songwriting and its social, historical, and cultural background. This is the first study to discuss his compositions in an African American cultural context, drawing upon interviews with his family and former band members. This volume also includes a detailed list of Dixon's session work, in which his compositions are chronologically organized.

Willie Dixon's work cannot be confined to his work as a composer, arranger, producer, and bass player. Over the course of his life and through his experience, he grew as a blues spokesperson into the embodiment of the blues preacher. This exhaustive biography and analysis of Dixon's music, the most comprehensive study of Dixon's life and work available, features extensive references, many details drawn from interviews, an analysis of Dixon's composition and studio methods, and a complete discography. Inaba (who developed this book from his doctoral dissertation) tells the story of Dixon's life, from his 1915 birth in Vicksburg, Mississippi, through his childhood in an impoverished area blemished further by racism, to his adulthood in Chicago as a boxer and musician. The details of Dixon's musical works and technique are juxtaposed with the details of Dixon's life. From the Big Three Trio to Dixon's highly productive years with Chess Records to finally, his own Blues Factory studio, Inaba traces and comments on the significance of Dixon's lasting imprint on music. Recommended for musicologists and fans of the blues, as well as those with an interest in history.