Raoul Peck
Power, Politics, and the Cinematic Imagination
Contributions by Olivier Barlet, Alessandra Benedicty-Kokken The City College of New York, CUNY, Jane Bryce, Myriam J. A. Chancy, Rachel Gabara, Tama Hamilton-Wray, Martin Munro, Alyssa Goldstein Sepinwall professor and director of, Joëlle Vitiello Macalester College, John P. Walsh Edited by Toni Pressley-Sanon, Sophie Saint-Just
Publication date:
03 December 2015Length of book:
298 pagesPublisher
Lexington BooksDimensions:
236x160mm6x9"
ISBN-13: 9780739198780
This comprehensive collection of essays dedicated to the work of filmmaker Raoul Peck is the first of its kind. The essays, interview, and keynote addresses collected in Raoul Peck: Power, Politics, and the Cinematic Imagination focus on the ways in which power and politics traverse the work of Peck and are central to his cinematic vision. At the heart of this project is the wish to gather diverse interpretations of Raoul Peck’s films in a single volume. The essays included herein are written by scholars from different disciplines and are placed alongside Peck’s own articulations around the nature of power and politics.
Raoul Peck: Power, Politics, and the Cinematic Imagination provides an introduction to Peck’s better-known films, interpretations of his rarely seen and recently released early films, and original analyses of his more recent films. It endeavors to explore the ways in which the dual themes of power and politics inform the work of Peck by taking a multidisciplinary approach to contextualizing his filmography. It culls contributions from scholars who write from a wide range of disciplines including history, film studies, literary studies, postcolonial studies, French and Francophone studies and African studies. The result is a volume that offers divergent perspectives and frames of expertise by which to understand Peck’s oeuvre that continues to expand and deepen.
Raoul Peck: Power, Politics, and the Cinematic Imagination provides an introduction to Peck’s better-known films, interpretations of his rarely seen and recently released early films, and original analyses of his more recent films. It endeavors to explore the ways in which the dual themes of power and politics inform the work of Peck by taking a multidisciplinary approach to contextualizing his filmography. It culls contributions from scholars who write from a wide range of disciplines including history, film studies, literary studies, postcolonial studies, French and Francophone studies and African studies. The result is a volume that offers divergent perspectives and frames of expertise by which to understand Peck’s oeuvre that continues to expand and deepen.
“This splendid and unrivaled collection by noted scholars and declarations by the filmmaker himself marks a decisive intervention in the study of Raoul Peck—filmmaker extraordinaire and citizen engage.”