Publication date:

22 June 2010

Length of book:

306 pages

Publisher

Lexington Books

Dimensions:

246x166mm
7x10"

ISBN-13: 9780739143940

There are few literary authors in whose work animals and other creatures play as prominent a role as they do in Franz Kafka's. Exploring multiple dimensions of Kafka's incorporation of nonhuman creatures into his writing, this volume is the first collection in English of essays devoted to illuminating this important and ubiquitous dimension of his work. The chapters here are written by an array of international scholars from various fields, and represent a diversity of interpretive approaches. In the course of exploring the roles played by nonhuman animals and other creatures in Kafka's writing, they help make sense of the literary and philosophical significance of his preoccupation with animals, and make clear that careful investigation of those creatures illuminates his core concerns: the nature of power; the inescapability of history and guilt; the dangers, promise, and strangeness of the alienation endemic to modern life; the human propensity for cruelty and oppression; the limits and conditions of humanity and the risks of dehumanization; the nature of authenticity; family life; Jewishness; and the nature of language and art. Thus the essays in this volume enrich our understanding of Kafka's work as a whole. Especially striking is the extent to which the articles collected here bring into focus the ways in which Kafka anticipated many of the recent developments in contemporary thinking about nonhuman animals.
Kafka's affinity and empathy for animals led him to write numerous tales in which the central characters are thinking animals, human-animal hybrids, or fantastic creatures. These tales have traditionally been interpreted allegorically, as fables that reduce the human condition to its basic, enigmatic features. Lucht (philosophy, Virginia Tech) and Yarri (theology, Alvernia Univ.) have gathered suggestive, insightful critical analyses (representing a diversity of approaches) that for the most part challenge this allegorical assumption about Kafka's creatures. In treating Kafka's animal stories more as stories about animals, the contributors not so much overthrow the time-honored allegory assumption but augment it by exploring Kafka's provocative blurring of the boundaries between species and creatures. At its best, the volume sheds light on Kafka's subversion of anthropocentric prejudices and sociocultural values, thus generating new perspectives on his meditations on power, guilt and history, Jewish identity, and the alienating, dehumanizing forces of the modern/postmodern world. And in elaborating the narrative stance and creaturely perspectives of these tales, these essays elucidate ways in which Kafka anticipated study of ethnicity, non-human subjectivity, and animal rights. Summing Up: Recommended. Upper-division undergraduates through faculty.