Writing the Nomadic Experience in Contemporary Francophone Literature
By (author) Katharine N. Harrington
Publication date:
30 November 2012Length of book:
154 pagesPublisher
Lexington BooksISBN-13: 9780739175712
In this book, Author Katharine N. Harrington examines contemporary writers from the French-speaking world who can be classified as literary “nomads.” The concept of nomadism, based on the experience of traditionally mobile peoples lacking any fixed home, reflects a postmodern way of thinking that encourages individuals to reconsider rigid definitions of borders, classifications, and identities. Nomadic identities reflect shifting landscapes that defy taking on fully the limits of any one fixed national or cultural identity. In conceiving of identities beyond the boundaries of national or cultural origin, this book opens up the space for nomadic subjects whose identity is based just as much on their geographical displacement and deterritorialization as on a relationship to any one fixed place, community, or culture. This study explores the experience of an existence between borders and its translation into writing that.
While nomadism is frequently associated with post-colonial authors, this study considers an eclectic group of contemporary Francophone writers who are not easily defined by the boundaries of one nation, one culture, or one language. Each of the four writers, J.M.G. LeClézio, Nancy Huston, Nina Bouraoui, and Régine Robin maintains a connection to France, but it is one that is complicated by life experiences, backgrounds, and choices that inevitably expand their identities beyond the Hexagon. Harrington examines how these authors’ life experiences are reflected in their writing and how they may inform us on the state of our increasingly global world where borders and identities are blurred.
While nomadism is frequently associated with post-colonial authors, this study considers an eclectic group of contemporary Francophone writers who are not easily defined by the boundaries of one nation, one culture, or one language. Each of the four writers, J.M.G. LeClézio, Nancy Huston, Nina Bouraoui, and Régine Robin maintains a connection to France, but it is one that is complicated by life experiences, backgrounds, and choices that inevitably expand their identities beyond the Hexagon. Harrington examines how these authors’ life experiences are reflected in their writing and how they may inform us on the state of our increasingly global world where borders and identities are blurred.
Literary nomadism stems from nomadism as sociological phenomenon and existential category. Like other contemporary critics, Harrington (Plymouth State Univ.) points out that cultural nomadism is a postmodern phenomenon that forms new identities that test "the limits of any one fixed national or cultural identity." To illustrate nomadic identities as a cultural phenomenon and a literary aesthetic, the author provides close readings of work by four contemporary Francophone writers. Each represents a different facet of being deterritorialized in relation to national belonging, and each reflects on experience and translate it creatively. J.-M. G. Le Clézio is an "engaged travel" who "gives ... voice to marginalized people around the world." Western Canadian by origin, Nancy Houston writes in French, expressing the anguish that she cannot feel un vrai bilingue. Nina Bouraouri, daughter of a French mother and an Algerian father, articulates the violence of the nomadic experience, which leads her to a "preference for short simple sentences and significant amount of repletion." Polish Jewish Régine Robin left Paris for the villa nomade Montreal. Written in both French and English, her work reflects a "patchwork style" in reaching out to the virtual nomadic communities. Insightful and well organized, this study concludes with useful bibliographic information. Summing Up: Recommended. Upper-division undergraduates and above.