The Great Recession in Fiction, Film, and Television

Twenty-First-Century Bust Culture

Contributions by Rebecca Barrett-Fox, Jesseca Cornelson, Sarah Domet, Maryann Erigha, Sarah Hamblin, Daniel Mattingly, April Miller, Lance Rubin, James Stone, Charli Valdez Edited by Kirk Boyle, Daniel Mrozowski

Publication date:

17 October 2013

Length of book:

296 pages

Publisher

Lexington Books

ISBN-13: 9780739180631

The Great Recession in Fiction, Film, and Television: Twenty-First-Century Bust Culture sheds light on how imaginary works of fiction, film, and television reflect, refract, and respond to the recessionary times specific to the twenty-first century, a sustained period of economic crisis that has earned the title the “Great Recession.” This collection takes as its focus “Bust Culture,” a concept that refers to post-crash popular culture, specifically the kind mass produced by multinational corporations in the age of media conglomeration, which is inflected by diminishment, influenced by scarcity, and infused with anxiety.

The multidisciplinary contributors collected here examine mass culture not typically included in discussions of the financial meltdown, from disaster films to reality TV hoarders, the horror genre to reactionary representations of women, Christian right radio to Batman, television characters of color to graphic novels and literary fiction. The collected essays treat our busted culture as a seismograph that registers the traumas of collapse, and locate their pop artifacts along a spectrum of ideological fantasies, social erasures, and profound fears inspired by the Great Recession. What they discover from these unlikely indicators of the recession is a mix of regressive, progressive, and bemused texts in need of critical translation.
The Great Recession in Fiction, Film, and Television is a welcome addition the cultural analysis of the 2007 economic meltdown. It is an astutely edited volume that shows how “bust culture” became a textual emphasis in all manner of productions: film, fiction, television, and art. This is vital reading for those who are interested in how focal economic events become the material of textual expression.