Studies in Medievalism XXXIV
Tribal Medievalisms
Contributions by Alexandra Sterling-Hellenbrand, Ann Howey, Anna Steppler, Christopher Queen, Dana Polanichka, Emma Nuding, James Burns, Kalina Janeva, Kevin J Harty, Ryan Hellenbrand, Scott Manning, Sylwia Borowska-Szerszun Edited by Karl Fugelso
Publication date:
11 March 2025Length of book:
256 pagesPublisher
D.S.BrewerDimensions:
234x156mmISBN-13: 9781805435631
The themes of tribalism and medievalism unite this wide-ranging collection of essays.
Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.
Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.
In this sensitive and nuanced book, Dr. Christine Slobogin offers us a holistic history of the intersection between art and surgery, highlighting the importance of surgical art as medicine. She excavates the story of two key and often overlooked figures in surgical art as important practitioners of the humor and art of medical and surgical practice, making visible the multitude of ways that patients can see and be seen through the historical and medical record of visual culture.